The latest show:
- Start my program with pianist Stan Tracey and tenor saxophonist Bobby Wellins track from the cd “Play Monk” recorded December 2006 with Andrew Cleyndert: bass, Clark Tracey: drums
- Homecraft, track from the new album “Inside Looking Out” a Swedish jazzgroup with a unique sound where French horns play an important part in coloring the music Hakan Nyqvist and Eva-Tea Lundberg: French Horns, Erik Palmberg: trumpet & flugelhorn, Orjan Hulten: saxes, Sven Berggren: trombone, Torbjorn Gulz: piano, Filip Augustson: bass, Henrik Jaderberg: drums
- Tenor and alto saxophonist Bob Cooper, track from the lp “Sextet 1954” with Bud Shank: alto and baritone sax, Claude Willamson: piano, Howard Roberts: guitar, Curtis Counce: bass, Stan Levey: drums
- Pianiste Ai Kuwabara, track from the cd “Live at the Blue Note Tokyo” recorded in 2019 with Will Lee: bass guitar and Steve Gadd: drums
- Drummer Snorre Kirk, track from the cd “Going Up” recorded march 2020 with Stephen Riley & Jan Harbeck: tenor saxes, Magnus Hjorth: piano, Anders Fjeldsted: bass
- The Ben Webster special, track 227/520 this week Ben’s cd “Live at the Haarlemse Jazz club” recorded may 9th 1972 with Tete Montoliu: piano, Rob Langereis: bass, Tony Inzalaco: drums
- Drummer Jo Jones, track from his lp “The Main Man” recorded November 29th 1976 with Harry Edison & Roy Eldridge: trumpet, Vic Dickerson: trombone, Eddie “Lockjaw” Davis: tenor sax, Tommy Flanagan: piano, Freddie Green: guitar, Sam Jones: bass
- Bassist Hans Backenroth, track from his cd “Parker’s Mood” recorded October 20th 2020 with Klas Lindquist: alto sax and clarinet, Erik Soderlind: guitar, Karl-Henrik Ousback: drums
- Koinonia, track from “Live in L.A.” recorded april 20th 1987 with Abraham Laboriel: bass, Alex Acuna: drums, Justo Almario: saxes, Bill Maxwell: drums,Harlen Rogers: keyboards, Hadley Hockensmith: guitar
- The Dutch All Stars, recorded January 7th 1955 with Ack and Jerry van Rooyen: trumpets, Karel Reys: alto sax, Toon van Vliet: tenor sax, Herman Schoonderwalt: baritone sax,Rob Pronk: piano, Dick Bezemer: bass, Wessel ILken: drums
- The Wessel ILken All Stars, recorded October 29th 1956 with Rob Pronk, Ack and Jerry van Rooyen: trumpets, Rudy Bosch: trombone, Piet Noordijk: alto sax, Toon van Vliet & Ruud Brink: tenor saxes, Herman Schoonderwalt: baritone sax, Rob Madna: piano, Dick van der Capelle: bass, Wessel ILken: drums
Take 5 Jazz uses Mixcloud
Take 5 Jazz uses Mixcloud to publish its shows. This is done because Mixcloud has a comprehensive licensing framework with rightsholders globally, including licenses with record labels, publishers, collecting societies and more. This global blanket music license roughly means that artists get a paid and I don’t get in trouble for illegally streaming licensed music. That said, Mixcloud is constrained by what it can offer in terms of functionality due to these music licenses. For instance, the tracklist remains hidden, music can’t be rewind backward within a cloudcast (only forward), and I can use a limited number of tracks by the same artist or album.
So… if the functionality of Mixcloud has limitations, why not use an alternative? There are plenty of platforms that stream music, right? Unfortunately things aren’t that easy. There seem to be a lot of alternatives, yes, but once again the matter of licensing comes into play as the music that is streamed is not something I create or owe licenses to publish. So the alternative platforms are not quite as viable as they would seem at first glance. In fact, my shows would be deleted due to being in violation with the general terms of use for those websites.
In short, any alternative I can find does not have a licensing framework, thus creating a situation where I am illegally posting music on my website. I publish the show without advertisement or using other methods to earn money. The shows of Take 5 Jazz are a product of love for the music, a hobby without profit motive. As such, paying for such licenses would be something I’d rather avoid. Similarly, fines or other legal costs would be something I wish to avoid.
Kamuli Community Brass Band:
The Kamuli Community Brass Band runs a very successful music project for poor, vulnerable, street children and youth in the kamuli district rural areas in Uganda. Their efforts have saved many child from a life lost to the streets, abuse, drugs and extreme poverty. The project is called Music for Social and economic empowerment.
One of the project activities is a brass band called Kamuli Community Brass Band, which is helping the disadvantaged youth and children. Their method is using music as a tool to rehabilitate and reform children, and youth Education is the key to fighting poverty in Africa.
The band consists of 140 children, but they share only 24 instruments. That is, if the instruments are not in a poor state where slides can’t move or can’t be tuned. As such, the Brass Band is in search of donations of instruments and uniforms- whatever you can no long use they can give a new life as they give a chance for the children in the community to learn music.
What makes their challenge even harsher is the Covid-19 pandemic. The Brass Band had to release the children who still had their families, but over 40 children are orphans with nowhere to go but the orphanage run by the project. Food is scare, and they are struggling to provide medical care and all other basic needs.
If you wish to help, go visit kamulibrassband.org.
About Take 5 Jazz
In the weekly show of Take 5 Jazz I will take you into the great world of Jazz. Beyond the mainstream and well known recordings, my show is an entrance to the vast range of all the various styles within the genre, such as Bebop, West Coast jazz, and most notable: Latin. Jazz music knows many faces: from the old American Jazz standards to the British scene, and from big bands to Cool Jazz; ranging from the oldest to the most recent of recordings, every week some of the finest from my collection will be played.
One of my aims is present something unknown every week; to give some airplay to those musicians to whom people pay too little attention to, as well as providing rare recordings of well-known musicians. Take 5 Jazz offers a blend of the familiar and unfamiliar, mostly jazz and sometimes a bit of blues, but always with the intent to find something new and interesting.










Jan Klein, the man behind Take 5 Jazz
Back in 1997 people, who knew about my passion for Jazz, asked me to start a radio show at a local radio station. Rather than generic pop music usually aired, this new show, Take 5, offered the best Jazz and Blues that was within my ever-expanding collection.
My collection spans a great number of LPs and CDs, and started in the early seventies. At the time, as a little boy, I bought my first LP: Cal Tjader’s Latin Kick. This marked the beginning of my love for the genre. The quality of his sound and the quality of performance drew me to Ben Webster. Ben, like Cal, is one of the cornerstones of my collection.
For several years I aired this music, but times change. Progressing from a small local radio station to the World Wide Web, I became fully independent. Now I am able to share my love for the music with an audience from all over the world!
For over forty years after I collected every known recording that Cal Tjader produced, making me one of the few in the world who managed to complete the entire discography of Cal. The combination of Jazz and Latin was what started my love for Jazz, and thus it was something I wanted to give special attention in my show. From October 14, 2002, to July 31, 2018, I aired my entire collection: one track a week, every week. It was a monumental task, and I am proud that I managed to complete it.
Once I reached the end of my Cal Tjader special, I had to switch to a different musician. A poll amongst my listeners finalized my decision: for 520 weeks in a row there will be at least one track of Ben Webster in my show!


A painting given to me to celebrate my 500th show of Take 5 Jazz


Cal Tjader and Ben Webster are but two examples of the musicians that I count amongst my favourites. The long and wonderful history of the Jazz genre has brought forth many musical geniuses. And while Jazz might originate from the United States, those gifted in the art of music are born all over the world. The jazz scene in Britain, for instance, featured artists such as Tubby Hayes and Phil Seamen. And for me, hailing from Holland, there are many ‘local’ musicians whom I admire, whose albums I collected. The most notable of these are Jan Akkerman and Rob Franken.
For a more expansive summary of the musicians whose music I appreciate, click here.
Photos
In some cases, before or after concerts, I had the privilege of meeting some of the artists whose music is featured in my show.
(Click to enlarge the picture)
Contact
Contact me either through one of the social media buttons on the top of the page, or use the form below to send me an e-mail.